Growing up a child of Stockholm’s many video rental stores, the hovering presence of the Danish Pusher trilogy always stood out. The catatonic stare of round-faced Kim Bodnia seemed to glare from the walls of every cornershop, face covered in grime and blood, guns toting left and right, and garlanded in glowing praise from a phalanx of lads-mags. The film was brutal, blunt, unflinching, and Danish of all things. And yet my teenage self hadn’t even the slightest impulse to give it a second look.
That was before the WHOLE WORLD discovered Scandinavian crime drama, and here we are sixteen years and one genre phenomenon later, and Pusher (DK) has been retooled for an English language remake. Which meant I had to go rushing back to see the Danish original, with the hindsight of age and the knowledge that it was the debut of the director who made rather a success of Drive. And sure enough, Pusher (DK) lived up to its gritty profile, being the frenetic story of drug deals falling like dominos, forcing the titular middle-man into a doomed endgame of cat-and-mouse. Being the low-budget feature of first-time writer/director Nicolas Winding Refn, the whole is a bit of a rough mess, with an uneven script, but still exciting overall for its knock-about observational style. The grime of Copenhagen’s relentlessly unglamorous drugs trade is shot through a grey and dirt-speckled lens, and the moral ambiguity of the ‘Juggo’ [read: Serbian] importers helped give the film a sense of being only two steps removed from the real underworld. Which it patently wasn’t, but the complete package of Pusher (DK) holds together well enough to suck you in.
Now that we get to Pusher (UK) and the approach taken has been to brush off all the grot of the original, to polish it to a sheen to match the most expensive of adverts, and the sum total is a happily glamorous take on London’s cocaine trade. Sure, everything still goes to hell in a handbasket, but along the way we have plenty of club scenes with thick slices of ThumpThump, plenty of WubWub, and drink, and drugs, and merry times all-round. The girls! The glitz! The good times!
Where the moral and emotional vacuity of the Danish protagonist gives the original a really uncomfortable edge, Richard Coyle acting as the British equivalent refuses to fall back on this safer ambiguety. Maybe I can’t escape my liking of the actor, probably best known as the surreal Welshman Jeff in the sitcom Coupling, but his very best attempts at wringing a moral character out a not very strong script makes for some hard watching. Matching this with a cast of other wafer-thin secondary characters played by some equally lightweight acting talent, and the whole exercise just fails to be convincing on any effective level.
To put the glitzy remake in direct contrast with the bleak original is perhaps unfair, but a real opportunity to try something different has been missed here. Slight tweaks to characters and scenes have somehow managed to water down what was an obscenely taut script, missing the dramatic punchlines the Danish original hit every time. How they manage this is beyond me, but I suppose a Danish dub of Eastenders would still fall just as flat for that.
One out of Five
Pusher is showing at the Showcase Cinema De Luxe in Bristol’s Cabot Circus from the 12th of October 2012.